Absolutely! (perhaps)

Play by Luigi Pirandello. This dreamlike and hilarious play will leave you wondering whether to trust your own eyes. There are enigmatic newcomers in town: the dark, intense, Ponza, his shy, rather eccentric mother-in-law Signora Frola; and his reclusive young wife. No one understands their bizarre living arrangements. Everyone has a different theory as to the truth - and no one will countenance any other explanation. No one, that is, except for the wry and elegant Laudisi. He mischievously offers to establish the truth - and takes delight in his neighbours' growing frustration as they watch: "fantasy and reality dancing together, rather gracefully in fact - and suddenly you can't tell the difference between them".

Translated and adapted from the original Italian Cosė e (se vi pare), and usually performed under the English title of Right You Are (If You Think So).

Original London Production 1925: Cosė e (se vi pare)

London Revival 1925: And That's the Truth (If You Think It Is)

London Revival 1965: Right You Are (If You Think So)

London Revival 1973: Cosė e (se vi pare) CANCELLED

London Revival 2003: Absolutely! (perhaps)

Luigi Pirandello's other London West End plays include As You Desire Me and Six Characters in Search of an Author.

Original London Production 1925: Cosė č (se vi pare)

Opened 25 June 1925, Closed 27 June 1925 at the at the New Oxford Theatre (now demolished)

The cast featured Marta Abba as 'Signora Frola', Egisto Olivieri as 'Lamberto Laudisi', Gina Graziosi as 'Signora Amalia' and Silvana di Sangiorgio as 'Dina'. Directed by Luigi Pirandello.

Four performances, performed in Italian, by the Compagnia del Teatro D'Arte di Roma, and presented as part of a two week season under the artisitc direction of Luigi Pirandello.

The New Oxford Theatre was located on the North side of Oxford Street, on the corner with Tottenham Court Road (now the location of Primark).

London Revival 1925: And That's the Truth (If You Think It Is)

Opened 17 September 1925, Closed 10 October 1925 at the Lyric Hammersmith Theatre

The cast featured Nancy Price as 'Signora Frola', Nigel Playfair as 'Lamberto Laudisi', Margaret Scudamore as 'Signora Amalia' and Paula Cinquevalli as 'Dina'.

Translated by Arthur Livingston. Directed by Nigel Playfair.

London Revival 1965: Right You Are (If You Think So)

Opened 16 March 1965, Closed 28 May 1965 (in repertory) at the Mermaid Theatre

The cast featured Rosalind Atkinson as 'Signora Frola', Robert Eddison as 'Lamberto Laudisi', Sonia Dresdel as 'Signora Amalia' and Denise Coffey as 'Dina'.

Translated by Frederick May. Directed by Robin Midgley with designs by Andrian Vaux.

London Revival 1973: Cosė e (se vi pare)

Opened 7 May 1973, Closed 12 May at the Aldwych Theatre CANCELLED

Presented in Italian by La Compagnia dei Giovani as part of the Annual World Theatre Season at the Aldwych Theatre.

Unfortunately this production was CANCELLED at the last minute due to cast illness, and no performances took place.

London Revival 2003: Absolutely! (perhaps)

Previewed 7 May 2003, Opened 20 May 2003, Closed 13 September 2003 at the Wyndham's Theatre

The cast features Joan Plowright as 'Signora Frola' and Oliver Ford Davies as 'Lamberto Laudisi' with Anna Carteret as 'Signora Sirelli', Gawn Grainger as 'Signor Sirelli', Barry Stanton as 'Councillor Agazzi', Liza Tarbuck as 'Signora Amalia', Darrell D'Silva as 'Signor Ponza', Hilary Tones as 'Signora Ponza', Sian Brooke as 'Dina', Jeffry Wickham as 'The Mayor', Fred Ridgeway as 'The Inspector', Brid Brennan as 'Signora Cini', Lolly Susi as 'Signora Nenni' and Timothy Bateson as 'Salvatore' along with Jud Charlton, Robin Harvey Edwards, Alice Selwyn.

Translated and adapted by Martin Sherman. Directed by Franco Zeffirelli with sets by Franco Zeffirelli, costumes by Raimonda Gaetani, lighting by Andrew Bridge, music by Jeremy Sams and sound by John Leonard.

Joan Plowright's London theatre credits include 'Rebecca West' in Robin Phillips' revival of Henrik Ibsen's Rosmersholm at the Greenwich Theatre in 1973; 'Masha' in Laurence Olivier's revival of Anton Chekhov's The Three Sisters at the Old Vic Theatre in 1967; 'Dorine' in Tyrone Guthrie's revival of Moliere's Tartuffe at the Old Vic Theatre in 1967; 'Hilde Wangel' in Peter Wood's revival of Henrik Ibsen's The Master Builder at the Old Vic Theatre in 1964; 'Maggie Hobson' in John Dexter's revival of Harold Brighouse's Hobson's Choice at the Old Vic Theatre in 1964; the title role in John Dexter's revival of George Bernard Shaw's Saint Joan at the Old Vic Theatre in 1963; and 'Sonya' in Laurence Olivier's revival of Anton Chekhov's Uncle Vanya at the Old Vic Theatre in 1963.

Oliver Ford Davies' London stage credits include 'Count Matthew Shabelsky' in Jonathan Kent's revival of Anton Chekhov's Ivanov at the Almeida Theatre in 1997; 'Father Dolan' in Howard Davies' revival of Dion Boucicault's The Shaughraun at the National Theatre's Olivier Theatre in 1989; and 'Provost' in Adrian Noble's revival of William Shakespeare's Measure for Measure, for the Royal Shakespeare Company, at the Barbican Theatre in 1984.

Martin Sherman's West End plays include Bent, When She Danced and Onassis.

This production reunites the incredibly successful partnership of Franco Zeffirelli and Joan Plowright. They have worked together in both film and theatre, including the seminal production of Saturday, Sunday, Monday which co-starred Laurence Olivier and Filumena Arturano, for which Plowright won the Society of West End Theatre Best Actress Award, both at the National Theatre. Amongst their films are Jane Eyre and Tea with Mussolini, which also starred Judi Dench, Maggie Smith and Cher.

"Dame Joan Plowright, Liza Tarbuck (strange combination - but it worked) and Oliver Ford Davies combined with a first class cast to deliver an evening of excellent theatre... Signora Frola (Joan Plowright) insists her beloved daughter-in-law is banned from talking to her because of her husband's demands. Signor Ponza (Darrell D'Silva), the husband, seeks to establish his first missus is dead and her mum is mad. Who is right and who is wrong? Thereby hangs the tale. In the end we are left with the intriguing proposition that no-one in Luigi Pirandello's play is right and no-one is wrong." The Daily Mirror

"Franco Zeffirelli's production has the two essential qualities of all Pirandello's best plays: a masterful, almost slick theatricality and a bitter, almost nihilistic view of human relations... This is a hard, brilliant, elegant production, studded with glittering cameos. Joan Plowright gives a haunting, beautifully muted performance as the old lady who may or may not be insane... Observe Anna Carteret, Gawn Grainger and Jeffry Wickham for high-precision Italian body language. This is a play of dark intellectual magic... You must see this." The Sunday Times

"Plays by Luigi Pirandello are always brainteasers, and Absolutely! (Perhaps), Martin Sherman's sparkling new version of the Italian's 1917 work, concerns itself with typical Pirandellian preoccupations: truth, illusion and delusion; the impossibility of ever knowing anything for certain; and our insatiable curiosity about other people's lives. But, as well as teasing the brain, this play tugs at the heartstrings... I can't imagine a better production than this one by renowned film director Franco Zeffirelli. He manages to create an Italian flavour without a single 'mamma mia' and makes rather abstract, indigestible, philosophical stuff not only real and absorbing but funny and moving. Oliver Ford Davies, as semidetached neighbour Laudisi, oversees proceedings like a brilliant but barmy philosopher-judge, highly amused by the bafflement of everyone else... But it is Joan Plowright as the dignified widow, ashen-faced and very still, clinging to the wreckage of her shattered life, who provides the piece with a heartbeat, which compels attention. Very refreshing, very unusual West End fare." The Mail on Sunday

Franco Zeffirelli is one of the best-known directors in the world, whose work has encompassed film, theatre and opera. In cinema his name is linked with such international successes as The Taming of the Shrew with Elizabeth Taylor and Richard Burton, Romeo and Juliet and Hamlet with Mel Gibson and Glenn Close. His British theatre work includes Romeo and Juliet which launched the career of the young Judi Dench and Much Ado About Nothing with Maggie Smith and Albert Finney. Zeffirelli's opera productions in the major theatres of the world are countless. His most memorable productions include Aida and La Boheme at La Scala in Milan, Tosca, Turandot and La Traviata at the Metropolitan Opera in New York and Carmen at the Arena di Verona.

Absolutely! (perhaps) in London at the Wyndham's Theatre previewed from 7 May 2003, opened on 20 May 2003, and closed on 13 September 2003.